Volume 4, 2012

Edited by Fabian Dorsch and Dan-Eugen Ratiu

 
Table of Contents

M. Jorge de Carvalho
A Further Point of View on Points of View 1-40
 
 
Thomas Adajian
Something about Vagueness and Aesthetic Disagreement 41-55
 
María José Alcaraz Leon
Aesthetic Insight: The Aesthetic Value of Damaged Environments 56-69
 
Zsolt Bátori
The Role of Music Theory in Music Appreciation: Scientific Explanation or Interpretation? 70-82
 
Alessandro Bertinetto
Improvisational Listening? 83-104
 
Adam Blincoe
The Priority of Reason: Mendelssohn’s Rationalist Aesthetics 105-120
 
Aléxia Bretas
Sonho, logo Existo: Reflexões Estéticas de Fernando Pessoa 121-135
 
Remei Capdevila Werning
From Berliner Stadtschloss to Humboldt-Box and Back Again: Architecture in the Conditional 136-148
 
Matilde Carrasco Barranco
The Dogma of Post-Conceptual Art: The Role of the Aesthetic in the Art of Today 149-166
 
María del Mar Rosa Martínez
On Brady’s Imagination and the Aesthetic Experience of Nature 167-181
 
Thomas Dworschak
A Framework for Musical Meaning 182-194
 
Sergey A. Dzikevich
Towards a Semioinstitutional Theory of the Aesthetic: Some Results of Metahistorical Thinking in Aesthetics 195-203
 
Evrim Emir-Sayers
Gauging Proximities: An Inquiry into a Possible Nexus between Middle Eastern and Western Painting 204-214
 
Erin E. Flynn
The Aesthetic Representation of Justice in Eastwood’s ‘High Plains Drifter’ 215-229
 
Cristian Hainic
The Heideggerian Roots of Everyday Aesthetics: A Hermeneutical Approach to Art 230-249
 
James R. Hamilton
The Riches of Narrative Per Se 250-261
 
Thomas Heyd
On Guyer’s Reading of Kant on Adherent Beauty 262-270
 
Vladimir J. Konečni
Empirical Psycho-Aesthetics and her Sisters: Substantive and Methodological Issues 271-315
 
Ya-Ping Lin
Art for Life’s Sake: Iris Murdoch on the Relationship Between Art and Morality 316-330
 
Dina Mendonça
The Experimental Solution for the Paradox of Fiction and the Paradox of Tragedy 331-348
 
Eric Murphy
The Expanded Cluster Account of Art 349-361
 
Simone Neuber
How Depictive Representations Mandate Pretence by Being Recognised in Terms of What They Depict 362-384
 
Dan-Eugen Ratiu
Remapping the Realm of Aesthetics: On Recent Controversies about the Aesthetic and the Aesthetic Experience in Everyday Life 385-411
 
Isabelle Rieusset-Lemarié
What Taste and Perfume Add to the Political Interpretation of the Kantian Aesthetic Judgment by Arendt and Deleuze 412-432
 
Matthew Rowe
Artwork Indication and the Standard of Neglect 433-444
 
Salvador Rubio Marco
Pour un Réalisme de l’Aspect et l’Expression en Esthétique 445-458
 
Pioter Shmugliakov
Heidegger’s Modernism: What Does the Overcoming of Aesthetics Really Amount to? 459-471
 
Ronald Shusterman
Anish Kapoor and the Anti-Entropy of Art 472-488
 
Karen Simecek
On the (Seeming) Incompatibility Between Poetry and Philosophical Inquiry 489-502
 
Robert Stecker
Film Narration, Imaginative Seeing and Seeing-In 503-512
 
Marta Tafalla
Anosmic Aesthetics 513-531
 
Enrico Terrone
The Digital Secret of the Moving Image 532-546
 
Enrico Terrone & Daniela Tagliafico
Imagination and the Cinematic Experience 547-559
 
Daniel Jerónimo Tobón Giraldo
On the Paradox of Tragedy: Notes for the Balance of Its Theoretical Heritage 560-575
 
Connell Vaughan
The Political Basis of Rancière’s Aesthetics 576-586
 
Ken Wilder
Manet and Vermeer: The Nature of the Excluded Spectator 587-613